Lake Charles Civic Ballet

Archive for the ‘fairy tale’ Category

Cinderella Photo Shoot

Aviary Photo_130188993891778466 (800x251)

“Once Upon A Time” …the phrase we all relate to as part of our childhood.  What wonderful memories of reading fairy tales and dreaming of being the characters portrayed in “happily ever after”.  For Lake Charles Civic Ballet dancers, the characters WILL come to life as LCCB brings back to the stage an LCCB original production, Cinderella.  Plans are underway to bring this fairy tale to life not only for the dancers but also for the audience as they experience this fairy tale live March 22 & 23,  2014.  LCCB’s set designer, Fred Stark, worked his magic rejuvenating the pumpkin carriage for last months photo shoot.  His artistic ability to translate the beauty of a fairy tale carriage to one set for the stage is amazing.  The carriage is just one of the many projects Fred has in store for the production.

As a former Cinderella of LCCB, last month’s photo shoot brought back wonderful memories.  What a blessing it is to have a local classical ballet non-profit company whose mission is “To provide a complete theatre experience with a emphasis on classical dance training and performance in Louisiana, as a creative outlet for Louisiana choreographers, composers and artists, and as a means of building the audience for dance in our region.”  LCCB truly lives up to its mission!  I watched in amazement as the carriage was positioned and Artistic Director, Lady Holly Hathaway, began directing the dancers for the photos.  She imitated what she wanted them to do and she talked them through each frame.  The dancers had a blast!  Danley Romero of Romero & Romero Photography, LCCB photographer, captured the fairy tale! Danley walked the entire property with Lady Holly exploring each angle..stooping…standing…what an artistic talent Danley is working hard to capture both his and Lady Holly’s artistic style through a single snap shot.

Special thanks to Lisa and Dwaine Ellender of Chateau de Bon Reve for graciously allowing LCCB on their beautiful property.  Chatau de Bon Reve is not only their home but also includes a banquet hall complete with a commercial sized kitchen, bride and groom dressing areas, restrooms, etc.  This was no doubt the best place to capture the fairy tale, Cinderella, as produced by LCCB.

Donita Helms

Interview with Gabrielle Saucier

Guest Writer: Kelley Saucier, LCCB President

      Well, I might seem a bit biased with this interview, because as you all know by now, I am a proud ballet mom. Even if she didn’t belong to me, I would think Gabby Saucier is pretty special.
     This has been a fabulous year of growth and progress for Gabby in ballet. She played the lead in Rudolph the Red-Nosed Reindeer in December, 2011. This is a pretty big deal because age 13 at that time and in the 8th grade, she is the youngest lead for Rudolph ever cast. In addition to that, Gabby is the youngest main dancer in the production of The Sleeping Beauty. She plays Fairy of the Enchanted Garden in the prologue, friend to Aurora in Act I and The White Cat in the finale opposite Lake Charles native turned New Yorker William “Billy” Ward who performed for 26 years with the New York City Opera. Gabby is a couple of years younger than her fellow fairies.
     Gabby and I talked about her upcoming roles in The Sleeping Beauty. Being a fairy is quite different from the character roles she is used to, “[Fairy of the Enchanted Garden] is pleasant and graceful. The changes in her character are not as overt, she is more consistent.” Gabby says that being a fairy is fun and she is close friends with her fellow fairies. Although the role has been challenging it is all coming together, “I’ve grown as a dancer and gotten better.”
     The role of The White Cat is one that Gabby really wanted especially because her favorite part about dancing with LCCB is portraying a character. “When we went to Houston Ballet last year to watch their Sleeping Beauty I said, ‘I want that part!’” The pas de deux of The White Cat and Puss in Boots is always a crowd favorite because it is full of comedy. This is Gabby’s first time partnering. She had the opportunity to work with Billy Ward, LCCB’s Puss in Boots, a little bit this summer, which was great. “He is so nice and funny, and really tries to make me feel comfortable. The lift is challenging for me because I have a hard time remembering to lean back, but I’m getting it.” It’s also nice that Billy is finally here in Lake Charles for performance week, “It is fun to act with someone because you can feed off of the other person, and Billy is good actor.” I asked Billy if he has anything to say about working with Gabby, “I’m excited to dance with Gabby; her playful charm and talent match her sweet nature, and she’s a perfect White Cat! Gabby also has the ‘adorable factor,’ that would make any guy in his right mind want to share this role with her. She’s attentive and eager to take advice and apply it quickly to our partnership. It’s a great gift to me when a dancer has no ego and rehearsals flow and become what dance really should be: shared joy. I think when this is all over I’m going to feel a little sad..”
     I think we all will feel a little sad too, Billy. 
     Gabby is the 14 year old daughter of Kelley and Luke Saucier of Lake Charles. She is in the 8th grade at Bishop Noland Episcopal Day School. Gabby has performed in numerous LCCB productions, and fondly remembers her debut performance in 2001 as Raggedy Ann in Rudolph. Gabby recently starred in the title role of Rudolph in the 2011 LCCB Christmas performance. She has studied ballet for 12 years, the last 10 at Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet. Gabby also participated in summer workshop at Dallas Metropolitan Ballet in 2010.

Top photo (with Ray Delle Robbins) by Cameron Durham / Dance photo by Romero & Romero Photography

Interview with Katelyn Chargois

Guest Writer: Kelley Saucier, LCCB President

    Some people are born to dance – that is so true for Katelyn Chargois aka Princess Aurora! This 16 year old home-schooled junior has recently been accepted to the School of American Ballet 2012 Summer Course. The opportunity is a dream come true for dedicated ballerinas across the globe, and the opportunity of a lifetime to get even better training for our local star. So, I asked her what her goals are. “Right now I’m looking at college programs. I would love to be a part of a professional company. I see myself having my own studio and helping other kids with the art of ballet.”
     Or, could it be that she has a future in costume design? One of the most fascinating things about Katelyn to me is that she is curious about every single part of a ballet production. When we visited costume designer Ray Delle Robbins at Theatre Under the Stars in Houston, Katelyn wasn’t just interested in how her Aurora costumes were going to fit; she wanted to know all about how tutus are made and got detailed instructions on how to make her own. She is also known for the being the best at sewing pointe shoes, “She’s the fastest and you can’t even see her stitches,” according to Adelaide Saucier.
featuring Ashley Eaves as Carabosse
     Perhaps her future will be in marketing? In her spare time, Katelyn has created most of the ads you have seen on our social media sites. I may be biased, but I think they are all beautiful and LCCB could not ask for better work from a “professional!” Again, she has taken the time to figure out most every aspect of marketing our organization.    
     With regards to the current production of The Sleeping Beauty, Katelyn and I discussed the role of Princess Aurora and how it is different from her previous roles with LCCB. “Usually I have a character with distinct emotion, but with Aurora I am not really sure. Is she flirty or like a little kid? Or like an adult? She’s majestic, but it’s complicated. In 2012 a 16 year old is definitely different from a 16 year old in the 16thcentury. Today you don’t get boys for your 16th birthday,” she says in reference to the suitors who come to Aurora’s 16th birthday party in Act I. “In Act I Aurora is young; she is royal but not snooty. In the finale, she is getting married, and is happy because the love of her life has found her.” Despite the pressure of having the title role, Katelyn is calm, relaxed, and very much looking forward to taking the stage next week.
   I am quite certain that no matter what direction this talented young lady pursues, she will be extremely successful!
     Katelyn Chargois is the 16 year old daughter of Von and Rhonda Chargois. She is a Home School Junior. Katelyn has trained for 10 years with Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet. She attended Houston Ballet Academy’s Summer Intensive in 2009 and 2011. She has been accepted to School of American Ballet (SAB) 20 12 Summer Course and Houston Ballet Academy’s 2012 Summer Intensive. Katelyn has been featured in many LCCB productions including The Flirt and Little Brother in Daguerreotype, Little Sister in Debut, Swiss and Mary in Rudolph. She will attend the SAB Course in New York City this summer.

On the lake photo by Cameron Durham / The Sleeping Beauty photo by Romero & Romero Photography

Interview with Marissa White

Guest Writer: Kelley Saucier, LCCB President

     Books, barista, ballerina, bed.  Put another way: school, work, studio, sleep. That is how our busy Fairy of the Crystal Fountain, Marissa White, spends her time. As the manager of Joe Muggs coffee shop in Books-A-Million she works about 45 hours per week. Add to that 12 hours of class at McNeese, plus rehearsals at the ballet studio, there is no doubt that Marissa is an expert in time management!
     Marissa’s family has been a part of LCCB from the beginning. Her grandmother, Debi Buras White, founded the company with Lady Leah Lafargue Hathaway in 1968. Over the years the legacy has included many members of the White family; Marissa’s parents, aunt, uncle, sister and cousins have all performed in LCCB productions. Only her brother escaped the stage – it seems Marissa had no choice and lucky us, because she is beautiful!
     I sat down with Marissa to talk about her upcoming roles in The Sleeping Beauty, Fairy of the Crystal Fountain in the Prologue and Princess Florine in the Finale. First, we talked about Fairy of the Crystal Fountain in the Prologue. “The challenge for me is to remain fluid with my arms and continuing the movement. The arms are doing something completely different from the feet. It’s like a river, moving water and fluidity. My costume represents water. I really wanted the part of the Crystal Fountain.”
     Marissa then explained the role of Princess Florine. “Princess Florine is Prince Desire’s sister. She had been trapped in a tower and a blue bird freed her by teaching her to fly away. I imagine that while I’m dancing.” Playing the role of Marissa’s blue bird is David Sanders of Dallas, Texas. David and Marissa danced together in 2008 when David spent a summer here in Lake Charles working with Les Jordan of North Central Ballet.  That connection is the reason David will be joining the LCCB cast of Sleeping Beauty. Marissa says the partnership is going well. “David really works to make me look good, and gives me a lot of security. He’s a big actor and has a big personality. I have to work to match that, so that’s the challenge for me. Also, he’s 6’3” and I’m 5’4”, so I have to dance big. It’s been fun and really nice to reconnect.” In the finale, the beautiful Princess Florine and Blue Bird are guests at the wedding of Princess Aurora and Prince Desire. They dance a beautiful and difficult pas de deux.
     So is Marissa showing any signs of fatigue with her hectic schedule and the big performance looming? No, not at all; as she says, “I stay organized and have my routine.” And now, if you need a good latte, you know where to go!
     Marissa White is the 21 year old daughter of Judy and Mike White. She is a junior accounting major at McNeese State University and manager of Joe Muggs coffee shop. Marissa has trained for 16 years with Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet. She has been a featured performer in many LCCB productions including Spinster in Daguerreotype, Snow Queen, Reindeer, and Arabain in Rudolph, and Colinda in Louisiana Saturday Night. Marissa hopes to own her own coffee shop one day.

Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography

Commercial: LCCB 2012 The Sleeping Beauty Ballet

Interview with Annabelle Bang

Guest Writer: Kelley Saucier, LCCB President

     Annabelle Bang is a cheerleader, honor student, and now, I think she will definitely call herself a ballerina. The 15 year old sophomore at St. Louis Catholic High School plays the roles of the Fairy of the Woodland Glade and Red Riding Hood in the upcoming LCCB production of The Sleeping Beauty. Annabelle says “I never expected to be a fairy, and never thought I would have the opportunity for two solo parts in such a big production.”

     In the beginning of the summer, Annabelle says she was frustrated with the choreography of the Woodland Fairy. “I really wasn’t sure I would get it, but I kept working hard. I am more confident now, and a better dancer. The choreography [of the Woodland Fairy] is not too soft and not too sharp. She feels the music, calling to the forest creatures. I really connect with nature from the choreography and the music.”
     Annabelle says that the role of Red Riding Hood is challenging because of the acting. “I have been working in the mirror at home to be afraid of the wolf. Joel is the nicest guy and such a sweet person, that it’s hard to be afraid of him,” she says of Joel Sanchez, one of the guest artists from Austin, Texas. Annabelle also says that working with Joel has improved her partnering skills, an opportunity she would not have without The Sleeping Beauty production.
     When asked about Annabelle Kisler Hathaway Whitworth, assistant rehearsal director says, “It has been my pleasure to work with Annabelle, individually over the past few months, in preparation for her role in Sleeping Beauty.  As we worked together, she not only accepted and executed the corrections that were given to her, but she also asked questions pertaining to various steps within her piece to solidify that she was doing them correctly.  It is that enthusiasm and willingness to learn, that has propelled her to the level of dance that Lake Charles Civic Ballet expects from its dancers.  Annabelle has such a sweet spirit, and she does a beautiful job conveying that through her solo.
     So what does Annabelle think about the performance now that it is right around the corner? “I am super excited and grateful for the chance to work with the Lake Charles Symphony. I am honored to have the roles I have; it’s weird to think about it now.” Hard work does pay off.
     Annabelle is the 15 year old daughter of Kay and Irvin Bang. She is a sophomore at St. Louis Catholic High School, where she also enjoys being a cheerleader. Annabelle has studied ballet for 10 years with Lady Leah Lafargue School of the Dance and Lake Charles Civic Ballet. She has enjoyed many LCCB productions, and especially remembers being a puppet in Rudolph 2009. She has also been featured in Daguerreotype as one of the twins and in Rudolph 2011 as a Scottish dancer. 

Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography



Interview with Margaret Lie

Guest Writer: Kelley Saucier, LCCB President

There seems to be no end to the talents of Margaret Lie. This 16 year old junior at St. Louis Catholic High School is serious. Serious about school. Serious about music. And serious about ballet. She is so focused that if you aren’t paying close attention you will miss out on her wry sense of humor, and side-bar jokes. So make no mistake, although she is always the dancer with her books in the dressing room getting all of her homework done, or rushing from Youth Orchestra to Ballet to Student Council, Margaret likes to laugh and have fun!
     So what about playing 3 instruments? Piano, Violin, Flute – she plays them all well. I asked Margaret how that came about. “When I was three, my parents took me to a piano sale and I told them I wanted one, so they bought it and I started lessons. When I was four, I asked for a violin. I had a tiny violin and began taking lessons. Then in fifth grade I joined the school band. The band director told me I needed to play either drums or flute, I said no to the drums, and wasn’t suited for trumpet blowing or anything else, so it was the Flute.”
     Margaret is an honor student with a rigorous academic course load, playing multiple instruments and juggling extracurricular activities besides ballet rehearsals, so I asked her if she sleeps. The answer: “Oh yes. Bedtime is 10:30 PM sharp. It doesn’t matter what I’m doing, if its 10:30 PM, I am falling asleep.”
     When I asked Margaret about the upcoming Sleeping Beauty performance with the Lake Charles Symphony, she described the first time she heard the music in the studio, “It really spoke to me. All of the instruments are showcased individually, it’s beautiful. I was in rapture watching the recent showing of the Bolshoi version at Cinemark.”
     Margaret plays the role of the Fairy of the Golden Vine in the prologue of the LCCB production. She says she was “instantly drawn to it because of the combination of intricate footwork and lots of motion. [The Golden Vine Fairy] uses the entire stage.”
     Margaret will also share the stage with Ashley Eaves and Elizabeth (Lizy) Gates as one of the Jeweled Fairies in the finale; Margaret is gold. She says Ashley and Lizy both have great feet and she works hard to synchronize her steps with theirs. The same goes for the Friends of Aurora segment in Act I with Julia Basone, Gabrielle Saucier, and Marissa White. Margaret says that part “requires so much control and lots of unison. It’s tough.”
     So, is the juggling act worth it? Absolutely. “I am blessed to have the opportunity to dance with the Lake Charles Symphony. Live music is very inspiring.”
     Margaret Lie is the 16 year of daughter of Stephanie and Albert Lie of Lake Charles. She is a junior at St. Louis Catholic High School. Margaret has trained for 14 years at the Lady Leah Lafargue School of the Dance and with Lake Charles Civic Ballet. She has performed feature roles in many LCCB productions including Miss Peacock in Clue, Reflection in Debut, Russian and Swiss in Rudolph. She also was a member of the 2004 LCCB cast of Petrushka with the Lake Charles Symphony.


Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography

Interview with Anne Veillon

Guest Writer: Kelley Saucier, LCCB President

Anne has studied ballet at Lady Leah Lafargue Schoolof the Dance for 11 years, where, since last year, she also teaches younger students ballet. She says that the transition from student to teacher has been challenging and has caused her to really examine her own dancing and technique.
     Even though Lady Leah is no longer teaching at the studio daily, her presence is still felt. Anne remembers her instruction well, “eyebrows up!” She says that Lady Leah really stressed being expressive and playing to the audience. That lesson obviously took root as Lady Holly Hathaway Kaough, current director of Lady Leah’s dance studio and artistic director of LCCB, says that “Anne consistently projects to the audience and maintains her character throughout a role. She performs the entire time she is on stage.” Of Lady Holly, Anne says that she is “one of the kindest, most sincere people I have ever met. She has such love and fire about her, in all areas of life. She is a busy mom and teacher, and I really admire that about her.”
     In Act I of The Sleeping Beauty Anne plays the role of The Village Girl opposite Joel Sanchez of Austin, Texas. Although her partner is out of town, they had the chance to meet this summer, and recently spent a weekend rehearsing here in Lake Charles. She doesn’t foresee any problems getting the choreography perfected for the performance. “[Joel] is a hard worker and he’s the sweetest guy,” Anne said. They are prepared to get the job done.
     Anne says that it is very exciting to be a part of a big ballet and the studio is very alive right now: “We have been working on this since mid-June, so finally, after nine months it is upon us! There is a great deal of fine tuning happening now, some tension and stress too, but that all comes with the anticipation and excitement. It’s really cool to be a part of this big production with the Lake Charles Symphony.”
     Anne is a junior at McNeese State University majoring in Animal Science. The 21 year old daughter of Darlene and the late Eddie Veillon of Lake Charles hopes to work at a zoo one day. She is looking forward to getting some experience this summer as a volunteer at the Baton Rouge Zoo. Anne has performed in many LCCB productions including Daguerreotype, Clue, Rudolph, Little Drummer Boy, and in ACTS Theatre’s Beauty and the Beast. She is an accomplished singer as well.

Profile photo by Cameron Durham / Dance photo by Romero & Romero Photography

Elastic and Tulle

Photos by Cameron Durham

LCCB performed The Sleeping Beauty ballet in 1995 with new costumes and sets. The costume creator for the performance was Costume Designer Ray Delle Robbins. Recently our company returned to Houston—back to Ray Delle so she could revive her creations to their beautiful beginnings. With help from Bobbie Grizzle who has labored beside Ray Delle for over 20 years, the women silently measured and pinned and wrote notes on small tan cards. Many alterations will be needed for over fifty costumes worn by the lead characters in the ballet.

Ray Delle recalled our original order for The Sleeping Beauty ballet as clearly as if it were yesterday. During her inspection of the costumes on this visit, she found the fabrics and designs still fresh and beautiful, but the tulle skirts and the elastic shows were in need of repair. While she worked with each dancer she answered our questions about her career and her job at Houston’s Theatre Under the Stars.

She began her education as an art and drama major, but quickly realized she liked to eat more than she liked to perform so she earned her teaching certificate. After teaching school for seven years, she worked for 17 years with Houston Ballet in the wardrobe department. For the last 25 years, Ray Delle has been the Costume Shop Manager at TUTS; although her title may change from show to show. Ray Delle manages three shows for TUTS theatre each season. Traveling shows featured at TUTS and her own contract work, fill in her free time. During our fittings, Ray Delle received a visit from her prop man and set man. It was quickly apparent they are a close theatre family as they greeted each other with bright smiles and hugs.

Ray Delle spoke of her ‘spells’ with certain colors and explained how her costumes show her love for a color during certain periods in her career. She easily recognizes her creations by the fabrics and her stitching. Ray Delle Robbins will be adding to LCCB’s The Sleeping Beauty extensive costume collection with new costumes for King Florestan XXIV and the Queen, Prince Désiré, Bluebird and many, many more. We are now accepting Sponsor memberships, and individual ticket sales will begin later in the year. Visit our website at www.lakecharlescivicballet.com to reserve your seat at the ballet and witness the splendor of Ray Delle’s work up close and personal.

An Occasional Fairy Tale

Guest Writer: Ashley Eaves, LCCB Principal
“Once upon a time,” is a familiar saying for everyone. Growing up, all of us have imagined what it would be like to fly like Peter Pan or to be the beautiful princess awakened with a kiss from her handsome prince. Storybooks and fairy tales have impacted the lives and imaginations of children for many generations and shall continue to have relevance for those to come. I remember imagining what it would be like to meet the characters from these stories such as the menacing evil villain or the kind fairy godmother.
Today, as a dancer with the Lake Charles Civic Ballet, I am allowed to put a face to these remarkable characters. Recently, several dancers and I were able to dress up in the costumes from The Sleeping Beauty ballet for storytime at Central Library located in Lake Charles, Louisiana. The children were fascinated as Lady Holly told the tale of The Sleeping Beauty as the ballet dancers tiptoed their way into the hearts of the audience. I was dressed as the evil fairy Carabosse. The children and parents were astonished at my wicked costume, mystified by the Lilac Fairy, and enchanted by the beautiful Princess Aurora.
Needless to say, it was an occasion that made me realize none of us are too old for fairy tales and storybooks.